![]() ![]() Producers could use iMovie to create a cuts only rough cut, and then export that to FCP via XML so the editor could refine the cut. FCP didn't work well with h.264 so those using DSLR’s (myself included) commonly transcoded to Pro Res for editing. You could stay in the native format or transcode to a more edit friendly codec like ProRes. In FCP 7 you used log & capture for a tape workflow and log & transfer for a file based workflow. In this article I’ll look at using Adobe Prelude from a former FCP user’s perspective. Like myself, a lot of former FCP editors are trying out Adobe’s Production Premium (equivalent to FCP Studio) or the new Creative Cloud subscription model. Since FCP X replaced FCP 7 I have been transitioning to an Adobe workflow.
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